Rosemary began her singing career in the back seat of a station wagon with her other six brothers and sisters.  Her father would take the family on Sunday drives and the concert would begin.
     Her songs are an intimate conversation about her emotional ‘take’ on the world, her singular way of processing events and relationships in her life.  Rosemary’s sense of humor and intensity is apparent in her writing style:  sometimes she is screaming back at God with a smile on her face and sometimes she is whispering in your ear. “it’s O.K. I’ve been there too.”
     Rosemary influences are eclectic.  Her first five years in New York City were spent performing a critically acclaimed jazz cabaret act.  Where she wrote the arrangements and broke new ground in what was then, a very homogenous venue.
     Loar’s theatrical expertise was honed on Broadway and in national tours, in shows like Sunset Boulevard, Cats (critically acclaimed as Grizabella), You Can’t Take It With You, Chess, Once Upon A Mattress, (understudy to Queen Aggravain) Encore  and 42nd Street (understudy Dorothy Brock.) She originated the role of Gladys Fritts (a quirky flapper with a penchant for poetry, operatic singing and handsome men), in Radio Gals at the John Houseman Theatre. 
     She was a headliner for the PBS special, New Years Eve with Guy Lombardo. Rosemary Clooney was rushed to the hospital and Rosemary Loar came to the rescue: with all the keys a fourth higher. As a concert performer she has appeared at: Carnegie Hall, (the day after she was married),  92nd Street “Y”,  at Town Hall in Garrison Keillor's Prairie Home Companion, with the North Carolina Symphony, the Orlando Symphony and with the Peter Duchin and Nelson Riddle Orchestras. She regularly performs the role of Christine in The Andrew Lloyd Webber Tribute internationally and in different venues.
     As a recording artist she can be heard on Sting’s soundtrack for the movie The Emperor’s New Groove, the cast albums of Chess and Sunset Boulevard  and on the Listening Library series.
    
     Her debut CD ALTERNATIVE TORCH was released in 1996, her second, THROUGH WOMEN'S EYES was produced in 1997 to benefit Susan G. Komen Foundation.  WATER FROM THE MOON  released in 2003 is also the score of Rosemary’s original rock musical by the same name: produced by the Grammy award winning Joel Moss (soundtrack for Chicago).
     Rosemary’s songs have been featured on NBC’s The Today Show, on The Lifetime Network, at Town Hall, Joe Franklin and Joan Hamburg shows, at the UN Fourth Conference for Women in Beijing and in the documentary Our Daughters, Our Future narrated by Hillary Rodham Clinton.
    Ms. Loar has been the recipient of the ASCAPlus Award for Popular
Music for the past six years. Rosemary plays out with her band in
the New York metro area. The Alternative Torch Series at Symphony
Space (four rock/pop singer/songwriters, four Broadway divas, one
great band), which she conceived and directed, played to screaming
crowds from 2004-2006.
The release of Rosemary's new CD, The Quando Swing, punctuates her
return to the jazz-cabaret scene. For Rosemary Loar, jazz is a
smorgasbord, a feast of incredible tastes and textures. In The Quando
Swing, Rosemary makes it her business to give her audience the
opportunity to sample each and every one of those exotic flavors.
There is laughter and fun, poignancy and reflection, and an evening of
wonderful music. For more info check out www.TheShowStore.com